• BEFORE THERE WERE MICROWAVES, CELL PHONES AND CD'S
  • IN the 1960's while still a teenager, I was very interested in both electronics and music. I played String Bass in the School Orchestra and hung out at the local Radio Shack on the weekends. I always hoped I might get a job in a TV repair shop. My vision was that the TV shop owner would train me and when he retired, I would take over the business. Then I would have a business of my own. One of my first jobs out of high school was at a grocery store as a stocker back when checkers memorized all the prices and punched them into the register manually. Of coarse I was still hanging out at Radio Shack when I could. Finally, Mike the manager said "why don't you come to work for Radio Shack and get paid for all the time your spending here". Well, I did and was in working bliss. In 1969 after only four months, I was drafted into the Army. There, I had the opportunity to formally study Electronics and I soaked it up like a sponge. Finally I was learning what all those little blue, orange and brown electronic things actually were. More importantly, I learned what they did and how electronics worked.


  • THE MUSIC WORLD IS INTRODUCED TO QUADRAPHONIC
  • In 1971 I returned to Radio Shack and soon became the Manager of my own store. I also decided to pursue more Electronics Study. I began a Correspondence Coarse where I built a Heathkit Color Television, along with an assortment of various Test Equipment products. I still wanted to work with electronics but more deeply than just selling electronic products. After two years of being a Manager, I decided to transfer to the Radio Shack Service Center as a technician.


  • MAKING THE DECISION TO PURSUE ELECTRONIC SERVICE
  • In 1973 after transferring into the repair center of Radio Shack, I really began to learn the craft of repair. I continued to study the coarse at night and apply my new knowledge at work during the day. Still being interested in all things musical, I was discussing a sound I had heard on a record to a coworker. It was the Leslie effect on a Hammond Organ. It turned out that he had a Hammond Organ he wanted to sell! Well, I bought it. It was an L-100 model with a Leslie 145. It was used in a band and needed lots of attention. I decided to repair it myself so I located the local Hammond Organ Store and ordered a Service Manual. While there I was amazed to see all the instruments and especially the guys working on Organs in the shop. (And getting paid for it!)


  • THE YEAR THEY STOPPED MAKING THE HAMMOND B-3
  • In 1975 I left Radio Shack and went to work for Holcombe Lindquist as an Organ Technician. At last I was really enjoying my work! I found Organs to be very different to work on compared to what I had been doing. A whole new world was opening up to me. Working on Organs allowed me to be around both Electronics and Music at the same time. I loved the music store community. A place where it was difficult to get your sales people to work late because they had booked a gig for that night! We serviced Hammonds and Leslies, Kimball Organs, and Rodgers Church Organs. Plus we serviced all kinds of trade-in models and brands.


  • YOU CAN MAKE MORE MONEY REPAIRING ORGANS THAN PLAYING THEM
  • In 1978, after three years with Holcombe Lindquist, I decided to go into business on my own. I started Benton Electronics in October of that year and shortly after that I started playing in a local top 40 band. In the beginning of my business I was able to get by because of both incomes but after about 4 years the Company started to really take off. In fact so did the band! By around 1987 I decided to quit the band business and focus entirely on Benton Electronics. We now average nearly 1000 service calls a year.


  • YOU CAN STILL HEAR THE MUSIC
  • Also, in 1987, after leaving the band scene, I began to get more involved in Church. I was searching for something more meaningful in life and found faith in God that changed my life! I was embraced by people who didn't know me for what I did for a living and didn't like me for what I might be able to do for them. (Like is so often case in business) Rather, they were concerned for me spiritually. They wanted to make sure I was living life to its fullest and were there to help me. Cool! A big surprise was that they embraced my music as well. I thought I had retired from music and suddenly, I was in demand. Playing in Church has broadened my horizons musically and more importantly, taught me the importance of communicating with my audience. So, the music lives on!


  • CURRENT KEYBOARD SETUPS
  • The picture below is the home studio. Recently rebuilt to better incorporate the computer. Beside sound editing and music storage, the computer is now used as a music synthesizer. This is not entirely new. I have been using a laptop for the Hammond Organ sound for about 5 years. However, last year, I decided to build a faster computer and use it for more sounds. I first added an Acoustic Piano. The sound was fantastic! I discovered though that you can't run two synthesizers at once without a VST host program. So, I bought Native Instruments Kore. Kore is a VST host and allows as many VST synthesizers as your computer can handle. That means about 6 or 7 at a time for my system. It's great for live playing. I soon expanded into an Electric Piano, Prophet 5 emulator, Mellotron emulator, and Oberheim emulator. The sounds are incredable. In a recording enviroment, a sequencer program like Sonar would serve as a VST host.


  • CHURCH SETUP
  • Both setups are the same so I can program sounds at home, and just bring a disk and thumb drive to Church and load it in. In both setups I have a Korg Triton pro which I still use sounds from. Between the Korg and the computer, I have more than enough sounds for any situation. The lower keyboard is a Yamaha P-80 used as a weighted keyboard controller driving the Acoustic and Electric Pianos in the computer.


  • COMPUTER SPECS
  • HOME = AMD 64x2 4800+ (2.4 overclocked to 2.6) - 2GB, 250GB Sata - Kore Controller/Sound Card, Darla Sound Card 2x8.

    CHURCH = AMD 64x2 6000+ (3.0) - 2GB, 250GB Sata - Kore Controller/Sound Card.

    VST's = Native Instrument's Akoustik Piano, Electrik Piano, Pro-53, Massive, Absynth, FM-8, B4II, Gmedia's Mtron, Sonicproject's OP-Xpro.

    You may notice the Leslie 145 in the Church picture. I run the Organ VST (B4II) through the Leslie. Although the Leslie emulation in the software is very good, I still prefer the real Leslie. B4II has a very good Leslie simulator, and is usable, but I have a Leslie so I have to use it!

    LINKS:

    Arturia

    Gforce

    SonicProjects

    Native Instruments

    Spectrasonics

    Soniksynth

    Optimizing Windows XP for music


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